Zombie of the Week

Dawn of the DeadThe 2004 remake of “Dawn of the Dead” is an undisputed classic in the zombie genre. It popularized the idea of zombies as the result of a transmittable sickness, gave us some of the first (maybe, in fact, the first) “fast zombies” and continued the time-honored tradition of reflecting the good and bad in human nature from the undead faces of ravenous, cannibal corpses.

One of the several memorable zombies featured (we’ve already covered perhaps the the most memorable one previously) was the nameless bloated woman. Brought in a small group of bedraggled survivors in a wheelbarrow, this fat, dirty woman (played by the very manly stuntman Ermes Blarasin) is only with us a few minutes before she turns, attacks and is brought down expertly by an annoyed nurse with a fireplace poker through the eye.

We salute you, you bloated, bloody, nameless corpse lady!

Zombie CocktailIn the late 1930’s restaurateur Donn Beach apparently decided that his customers were just too damn sober. So he pieced to together a cool, fruit-laden cocktail then injected it with enough Rum to kill a Republican. The rumor is that he created it to help a customer with a hangover, who then returned complaining that it had “turned him into a zombie.” That seems dubious, but The Zombie, has been a popular cocktail ever since.

Although Beach jealously guarded his recipes, it’s difficult to keep something like this completely secret when you have a chain of restaurants and a small herd of bartenders. According to the book, “Sippin’ Safari”, the original recipe included lime juice, falernum, Angostura bitters, Pernod, grenadine and three different kinds of rum. It’s also included something called “Don’s Mix,” which is rumored to be cinnamon syrup and grapefruit juice. I’d rather not have confirmation.

Comedian Billy Connolly, who zombie fans may remember played the titular zombie in 2012’s amazing “Fido“, once suggested that his audience try The Zombie. Apparently you “get drunk from the bottom up”:

Not being much of a drinker myself, I can’t say if he’s correct. If nothing else, it does seem a better way to go than getting eating alive by the animate dead.

Minecraft, Zombie PigmanPreviously we discussed regular old zombies in Minecraft, then we discussed their terrible little hellspawn, but up until now we’ve remained squarely rooted in reality. At least what passes for “reality” in Minecraft, which is pretty damn far from reality, but I hope you get the point.

However there is another reality. If you delve deeply and greedily enough and craft a diamond pick-ax, you’ll be able to mine obsidian. If you then arrange the rare obsidian blocks in an ancient, eldritch pattern (basically, a rectangle) and activate it with fire you will create a portal to this reality. You could also just cheat, I suppose.

Do you dare step through the portal and face the horrors of the other world?! Well, do ya? Dare, I mean? Well, if you do, you’re going to be face-to-rotting face with the horrific zombie pigmen of the Nether realms! They’re really not that bad.

I mean, yes, they are horrific.  They’re pigmen who are now zombies. That’s, at the very least, unsettling. But other than that, they’re pretty decent folks, really. They don’t bother you unless you bother them, they don’t mess with your stuff or fiddle with your radio presets. They just kind of wander around with their little golden swords out and ready.

Honestly, I wish more people were like them. I think I could deal with rotting flesh pretty well if people just minded their own damn business.

ZombeeI didn’t even realize this was a thing, but a thing it is! The Natural History Museum of Los Angeles County has tons of information about zombees! Basically when a honey bee is parasitized by the zombie fly (Apocephalus borealis in the smart talk) it stumbles out of it nest at night and wanders mindlessly.

Apparently the eggs change the bee’s mental state causing it to seek out lights in a weird, non-bee way. As the growing maggots eat the bee from the inside out it gets more erratic and less and less… alive. Over a dozen maggots can then emerge from a single bee, wander away for a little bit then pupate into adult zombie flies.

The website has all kinds of information on how to find, collect and study these little undead buggers. Not because the zombees themselves are dangerous, but because the Zombie Fly is rampaging through an already stricken honey bee population. So, if you ever happen to see a Zombie Fly, why not squish it?

Herman Munster vs Lurch

Our celebration of Frankenstein’s Monster as an honorary zombie has a twofer to cover the next two weeks. 1964 was an… odd, year for television. Both the Beatles and the Rolling Stones made their American debuts on the wildly popular, The Ed Sullivan Show, and  Jackie Mason was banned from the same show for giving Ed “the finger” on air. Both Gilligan’s Island and Jeopardy premiered as well, to the eventual delight of stoners everywhere, the Rankin and Bass classic Rudolph the Red-nosed Reindeer. British audiences witnessed the first ever interracial kiss on television. NBC began their tradition of broadcasting the Olympic games with the first ever live telecast from Japan via the brand new Syncom 3 communications satellite.

It was also the year that, for some reason, American audiences demanded competing sitcoms featuring monsters. The Addams Family debuted September 18th on ABC, and the The Munsters began six days later on CBS; both ran until mid 1966. Both featured Frankenstein monster characters. Lurch, the long-suffering Addams Family butler played by Ted Cassidy, and Herman Munster, played by Fred Gwynne, the lovable schlep at the head of the Munster’s table.

So, who wins? Herman may have the speed, but it’s hard to argue with Lurch’s single-minded determination. Herman is quite a schemer, though; he may be able to outwit the less cosmopolitan Lurch. Lurch, on the other hand is a musician; you know what they say about “hidden depths” and all? So again, who wins in a knock-down, drag-out between these two? Who will pick up the (literal) pieces? Who?!

The Bride, ViktorOur celebration of Frankenstein’s Monster as an honorary zombie is veering off a little this week. “The Bride” was not, let’s face it, a very good movie. It was overwrought, melodramatic and often ham-fisted. For all that, it did present a nicely original take on the old story and had pretty damn fine monster.

The dim-witted monster,  named “Viktor” by his only friend, was played to perfection by Clancy Brown. Brown is one of those rare actors that is absolutely great in everything he does. While his prosthetics here are, sadly, a bit unimaginative, his performance is layered and meaningful. The character is simple-minded, but capable of an impressive emotional depth. Brown’s performance captures his loyalty, devotion and need to be loved.

So the movie isn’t great, but Brown’s performance makes it well worth the effort. Because of him, we welcome Viktor into this admittedly not-so-exclusive club.

 

 

Fables, Frankie

From the exciting conclusion of “Witches”, issue #91, by Bill Willingham, Mark Buckingham, Steve Leialona, Daniel Green, Lee Loughridge and Todd Klien

Now that we’ve gotten through the obvious, our celebration of Frankenstein’s Monster as an honorary zombie can start to dig into some of the more interesting interpretations of the character. One of my very favorites is Frankie from Bill Willingham’s amazing comic series “Fables“. Although the series will sadly end with issue #150 early in 2015, it has left an indelible trail of joy for thousands of dedicated fans.

Although a minor character, Frankenstein’s Monster, “Frankie” for short, was a memorable one. First introduced in issue #29 as part of a not-so-subtle homage to 1943’s pulp classic, “Frankenstein Meets the Wolf Man“, he was the result of a Nazi super-soldier experiment. While initially hostile, he calmed down quite  bit after being decapitated by an enraged Bigby Wolf. He spent the next decades unliving a peaceful existence in the Fabletown Business Office.

He really came into his own during the “Witches” storyline (Issues #87 – 91) when the magically expansive business office was cut off from the rest of Fabletown and left to fend for itself against the resurgent powers of the evil Baba Yaga. Frankie, having recently discovered his genius (which he missed because he rarely thought about anything) became the brains behind the operation led by the brave Ozian flying monkey, Bufkin. With the help of several unexpected allies, and no small amount of luck, they were able to liberate themselves and defeat the witch.

When Bufkin was later convinced to go on an epic quest (because that’s what heroes do), Frankie was left in the Business Office with his good friend, the Magic Mirror. As neither are particularly ambulatory we have to assume that’s where they remain to this day.

 

 

Boris Karloff as FrankensteinOur celebration of Frankenstein’s Monster as an honorary zombie would be a sad affair if we didn’t include the single most recognizable incarnation of the creature, the one that defines him for at least three generations: Boris Karloff’s portrayal in 1931’s classic “Frankenstein“. The term “iconic” is thrown around loosely, but indisputably applies here. Only 70 minutes long, the movie received universal acclaim and remains firmly ensconced on any serious list of the best movies of all time.

The instantly recognizable make-up was designed and applied by legendary artist Jack P Pierce, who was sadly uncredited. The scarred, protruding forehead and low-brow summoned images of primitive man and ape. The heavily-lidded eyes bespoke the creature’s lack of perception and intelligence while the pinched, cadaverous mouth reminded one of his ghoulish origin. Finally the scars, stitches and bolts graphically evoked the torture of the creature’s existence.

The film made Karloff (actually William Pratt as “Boris Karloff” was purely a stage name) a star. The role was a tortuous one; the four-inch platform shoes weighed 11 pounds each and that was the least part of the elaborate make-up and costume. His performance, significantly changed from the mindless killing machine of earlier scripts, was subtle and nuanced and brought pathos to the creature that resonated with audiences. He was monster, to be sure, but a reluctant, pitiable one.

It may be said, in fact, that the movie overshadowed the source material in a way few adaptations ever have.. Nearly every incarnation of the story sense owes at least something to this film. Every parodied scream of, “It’s alive!” and every stiff-legged, grunting monster are directly inspired by it. For almost everybody this is “Frankenstein”.

Bernie Wrightson's Frankenstein - CopyContinuing with our celebration of Frankenstein’s Monster as an honorary zombie we, of course, must start with the source material itself. The first edition of Mary Shelly’s seminal novel was published in 1818. It wasn’t until the second edition, however, that the author’s name would actually appear on the book (after which many of the negative reviews would focus on her gender rather than the material). The novel faced mixed reviews upon release, but caught the public imagination and was popularized across Europe through theatrical adaptations.

The absolute best version of the novel is via Bernie Wrightson’s Frankstein, first published in 1983. Wrightson, a comic legend, is best known as co-creator of the beloved character, Swamp Thing, and for the definitive illustrated editions of many Stephen King novels such as “The Stand” and “Cycle of the Werewolf”. “Frankenstein” was a labor of love for him and is widely considered the definitive visualization of Shelly’s work.

The staggering, obsessive, level of detail in his pen-and-ink work is obvious and gets much of the deserved praise. It’s an amazing technical achievement that forces you to reexamine your ideas about the limits of human ability. Wrightson’s real genius, in my opinion, is his attention to the literary detail, however. Every other artist, writer, director or actor that has ever worked with the story has adapted Shelly’s work into their own visions. While this can be successful, and we’ll explore some of those variations in the coming weeks, Wrightson joyfully incorporated Shelly’s original vision into every aspect of his work.

As you read through the edition you’ll linger for long minutes over the illustrations that so perfectly reflect the unfolding story. This is Shelly’s Frankenstein brought to visual life via Wrightson’s art. He lavished his attention and skill on bringing her Frankenstein to life rather than one inspired by her. In 2012 Wrightson began work on his personal vision of the Frankenstein story in “Frankenstein: Alive, Alive“, a sequel that continues Shelly’s story. It’s just as amazing as you’d expect it to be.

FrankenberryThe debate on whether Frankenstein’s creature is a zombie has raged for years. One of the problems with the debate is that there are so many completely different incarnations to consider. Sometimes the creature is a reanimated corpse; sometimes an amalgam of many. Sometimes it’s a violent, mindless brute; sometimes an erudite, sorrowful soul. Sometimes it’s just a man who can die again; sometimes an immortal with horrifying strength. Sometimes well-meaning but misunderstood; sometimes evil to the core.

So, I’m going to allow Frankenstein’s unholy spawn into the ranks of zombies, if only in an honorary sense. Hell folks, if Kermit the Frog can get an honorary doctorate, I can say Frankenstein’s monster is a zombie. Besides, I’m well into the second year of “Zombie of the Week” and am running out of ideas.

So, I’ll be spending the next few weeks running down some of my very favorite Frankenstein monsters. Who better to start with than the one who started it all? The archetypal example of the breed? The most famous one of all… Frankenberry!

I’m sorry. That was immature. I promise that I’ll be serious next time.